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That’s obviously the huge theme of the movie, just as it was the dominant theme in Snowpiercer, but you could easily imagine an interpretation that’s almost Rand-ian in its libertarianism. I do want to ask you guys about interpreting Parasite as a class metaphor. Roma is the exception that proves the rule: If anyone but Cuarón (or his buddies del Toro and Iñárritu) had directed it, and it hadn’t had a massive Netflix campaign, I think Roma would’ve been judged too slow and deliberate and ignored.
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And you’re left thinking about the movie long after the story’s been told.ĭylan: In general, I think foreign-language movies are an easier awards sell if they fit into a fast-paced, mass-appeal genre: Parasite is a taut thriller/heist Crouching Tiger, Hidden Dragon was a wuxia film of a kind somewhat familiar to American audiences City of God was (among many other attributes) a gangster movie Life is Beautiful was a farce. The performance of the cast (justice for Park so-Dam’s “Jessica from Illinois”!!!), Bong’s meticulous and absolutely intricate camera work and composition, the themes of inequality and lavishness peppered into such a complex plot all work to make that twist crackle and split the film open. And then, on one fateful dark and stormy night, Parasite unfurls its true self - a tense and rigid experience that steals your breath away, as the Kims’ plan slowly unspools into an inevitable tragedy. Can the Kim family, a band of rogues essentially, pull off the ultimate caper to better their lives and wiggle themselves into indispensable parts of the wealthier Park family? Bong Joon-ho and his talented cast say yes, nimbly taking the viewer into this world that’s brimming with affluence, possibility, and freedom. I could go on and on about what I think, but I want to know first: Why do you think Parasite was such a hit with both critics and audiences? And why did it work for you?Īlex: I’m going to say that the twist is the engine of this movie, but it isn’t the only fantastic thing about this movie.įor the entire first half of Parasite, it’s an absolutely crisp heist movie. What makes this film appealing to Academy voters? What makes it emblematic of the year? And should it win?īelow, Vox senior correspondents Dylan Matthews and Alex Abad-Santos and film critic Alissa Wilkinson talk about Parasite, Bong Joon-ho’s universally acclaimed social thriller, which won the Palme d’Or at its debut at the Cannes Film Festival last May.Īlissa: I have trouble not reverting to a vocabulary comprised entirely of superlatives when I’m talking about Parasite, and to be honest, I was worried it would suffer with audiences from sky-high expectations once it finally came out.īut no! Parasite seems to be almost universally adored, which is especially surprising given the general American audience doesn’t always cop to a movie that requires them to read subtitles. In the run-up to the Oscars on February 9, the Vox staff is looking at each of the nine Best Picture nominees in turn. And a critically acclaimed adaptation of a celebrated novel rounds out the group. The world’s arguably most influential living auteur made a gangster epic with eternity on its mind. There’s a quietly funny drama about love and divorce and a revisionist history of Hollywood in the summer of 1969. There are three historical dramas: one set during World War I, one that centers on a 1966 car race, and one that co-stars an imaginary Hitler.
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A beloved social thriller from Korea has reached the milestone of becoming that country’s first Best Picture and Best International Feature nominee. And one thing that’s definitely true about the nine Best Picture nominees from 2019 is that, in tone and theme, they’re all over the place.Ģ019’s most-nominated film overall is also one of the year’s most successful commercially, and one of its most controversial. It’s the movie - for better or worse, depending on the year - that Hollywood designates as its standard-bearer for the current moment.Īnd so, the film that wins Best Picture essentially represents the American movie industry’s view of its accomplishments in the present and its aspirations for the future.Įach year’s slate of nominees roughly approximates the movies the industry thinks showcase its greatest achievements from the past 12 months. And there aren’t any set rules about what constitutes a “best” picture. It’s the most prestigious award that the Academy of Motion Pictures Arts and Sciences gives out every year, announced right at the end of the ceremony. Every year, between five and 10 movies compete for the Oscars’ Best Picture trophy.